On the morning of May 7, the "Respect Changsha Kiln"—2026 "Colored
Porcelain Source" Chinese and International Ceramic Artists' Creative
Exchange was held in the Tongguan Kiln Ancient Town, Wangcheng District,
Changsha. This international academic meeting among ceramic artists
from China and abroad marks a significant step forward for the
thousand-year-old Changsha Kiln in its journey toward international
dialogue and contemporary transformation. During the event, ceramic
artists from Australia, the United States, and South Korea gathered with
Tang Zhi, dean of the Academy of Arts & Design at Changsha Normal
University; Luo Lan, director of the International Exchange Office at
Changsha Normal University; and several national intangible cultural
heritage inheritors and master craftsmen from the Tongguan ceramics
production area. Drawing inspiration from the Changsha Kiln, the
participants shared and discussed their creative achievements and
experiences in ceramic art.
In his remarks, Luo Lan noted that as the "first kiln of Chinese colored
porcelain" and an important witness to the Maritime Silk Road, the
Changsha Kiln embodies the profound heritage of Huxiang culture.
Introducing international artist residencies and fostering creative
exchanges between Chinese and foreign artists are effective ways to
revitalize traditional craftsmanship and promote the art of the Changsha
Kiln to the world.
Five artists from China and abroad delivered keynote presentations.
Australian ceramic artist Debbie Hill recounted her creative journey
from painting to ceramics, while South Korean ceramic artist Yun Junho
explored the potential dialogue between the tradition of celadon
porcelain and the underglaze colors of the Changsha Kiln. Local artists
Liu Xiaoyong, Liu Jiahao, and Jiang Wenbin, meanwhile, presented a vivid
picture of the living heritage of the Changsha Kiln from the
perspectives of core craftsmanship inheritance, brand innovation, and
cultural communication, respectively, offering foreign artists an
important local perspective for understanding Chinese ceramic culture.
Tang Zhi remarked that the international artist-in-residence program is a
key initiative by the academy to promote artistic exchange between
China and the world and to enhance the quality of its academic programs.
In the future, the academy will continue to organize more residency and
exchange activities to foster deeper integration between the university
and the Tongguan ceramic area, allowing the thousand-year-old kiln
fires to spark new possibilities through the dynamic interplay of
international art.
This article is from Hunan Provincial Government. www.enghunan.gov.cn.
Translator: Yu Jiangjiang
Chinese source: Chinanews